Motherland: Weaponised Assumptions, and Those Who Use Them
Denise Khng’s Motherland is a tense drama about a parent-teacher meeting, while the child both occupies the periphery and is ...
Denise Khng’s Motherland is a tense drama about a parent-teacher meeting, while the child both occupies the periphery and is ...
Writer-director Shicong Zhu’s Heather’s Voice isn’t far from the distant future, nor unrealistic. Although a fictionalised account (probably) of a ...
Pranav Kothary’s Here is a story for every generation, although it’s set to ring a bell for the millennials. A ...
Director Anant Mehra offers 13:25 minutes of what seems like a visual essay, of a very painful dissection of a ...
Melanie Thompson’s The Package is the un-parodying and un-porning of a familiar porn trope: the solitary woman and the delivery ...
Miles Schneegass-Wilson’s Anglerfish is a portrait of its protagonist through the people in her life. For the duration of the ...
Thomas Loone’s Critically Acclaimed is a film about being in films. Particularly, it is about new actors, independent cinema, and ...
Brian Petchers’ How to Find Yourself is a mere 3 minutes long. Poetic and fleeting, it could very well be ...
Bo Zhang’s Bubble is the product of a happy confluence with theatre. The story of a woman choking on a ...
Peter Jang’s self-starring Mask is a psychological drama with a traumatised army veteran as its protagonist. Being desperately plagued by ...
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