Alcohol addiction has had several portrayals on screen. But, first time director Joshwa Walton, focuses on the pangs and cravings to reach the glass rather than the often-explored consequences of having one. By flipping the narrative, he brings to screen, a haunting, tense and intensely discomforting portrayal of an addict. Through this short film, Walton attempts to throw light on the devastating impact alcohol addiction has on the youth. This is the first publicly released short film to present Oscar Deng, Joshwa Walton and Barak Dinkel both on screen and behind the camera.
The film opens to a young man (Oscar Deng) finding random notes coercing him to take the drink. With minimalism being the motto here, Walton paces the film achingly slow to build a sense of foreboding. You wonder who the writer of these notes is and what it is that he/she is after? And, instead of being rhetoric about it, Walton focuses on the only character available and creates an environment that is not only visibly discomforting but also stifling to the character.
(Interesting trivia worth noting here is that the film was made with one camera & three lenses, over a period of several months with no lighting or sound equipment! Shot in just two locations, it’s the post-production work that apparently took the majority of the time.) Barak Dinkel’s music and additional cinematography by Joel Guzman adds the much-needed colour to an otherwise dark film. The music, in particular, does a fantastic job in heightening the thrill of the narration.
[rwp_box id=”0″]