The sheer number of holocaust films speaks directly to the magnitude of the atrocity. The purposes have varied, from expression...

Sleepwalker, Andrea Yu-Chieh Chung’s 9-minute documentary on the Sunflower Movement in Taiwan, is a very personal essay that examines the fear and grief...

Sebastian Ortiz Wilkins’s Cuello, co-written with Moheb Jindran, witnesses a chain reaction that is set off with one man’s impulsive acts of empathy...

Michael Phoenix’s Fleeting Nirvana takes a contrasting approach to its subject. Though it deals with mental illness and suicide, there is an...

Part III of the Kōan series, Cycle, is the most wholesome of the three. Its 2-minute runtime somehow appropriately reflects the idea it presents: the...

Part II of the Kōan series, Pursuit of Heavens (written by Erik Chimil and Pak H. Chau) mirrors its predecessor, serving philosophical debates in bite-sized pieces. Here,...

All romanticisms and cynicisms aside, what significance does the possibility of a do-over have? The former is usually drenched in...

Pak H. Chau’s 4-minute animation, What’s There? (written by Chau and Rohan Ponniah, part I of the philosophical Kōan series) is a short that...

The title makes it obvious. Someone is trying to die. Keyword being trying. Because Paul wants to die, and the world is...

Joseph Covello’s 10-minute horror, He Comes At Night is bleak. At its centre is an 8-year-old girl, about to be...