Hector Quijano’s fantasy short, Gaia is essentially an elaborate drug trip. Indeed, the opening sequence of this 13 has its unnamed protagonist...

A horror film in more ways than one, Christopher Hewitt’s 17-minute Out At Night borrows its central idea from A Quiet Place (2018): a...

A bouncy rom-com, Read Between The Lines is funny, textured with inside jokes, and an overall efficient entertainer. Written and directed by...

Elahe Esmaili’s 33-minute documentary, The Doll, on the deliberations and uncertainty over the marriage of a 14-year old Iranian girl is...

A 11-minute pandemic comedy, Harris Shore’s The Trust uses the ‘Zoom call’ style to unfold its comedy about a dead man and...

The clash between ambition—however radical or modest—and the ties of duty is a conflict with extensive history. The options are...

fred ends unexpectedly. Open-endedly. Alexander Jeremy’s 29-minute film focuses equally on being both an experience and a story with a coherent...

Dante Aubain’s Polaroid takes Patrick Bateman, and everything he represents, perhaps even more than that, and makes it anew, this time allowing...

On the surface, Claire lives a thoroughly domestic life. Pictures of her family line the shelves. She plays solitaire in...

Andreas Ortner’s fourth wall breaking pandemic short, Richtungswechsel or Change of Course, is a 9-minute film set in the picturesque village of Stall, Austria,...